Archive for July, 2013
Blow-up (1966)
With Blow-up, Italian director Michelangelo Antonioni created one of the most fascinating and psychedelic art films, which tells the story of a desensitized and nihilistic London photographer who may have or not have witnessed a murder. Antonioni uses the formulaic materials for a traditional suspense thriller, without the climatic payoff. When Blow-up was released in 1966 […]
ContinueThree Colors: Red (1994)
The legendary director Krzysztof Kieslowski said he did not care about the cinema, only about audiences and the ways in which films could utterly move them. Three Colors: Red unfortunately was his last film, and yet it couldn’t be a more beautiful and farewell parting gift. Krzysztof Kieslowski’s The Three Color trilogy corresponds to the three hues of the […]
ContinueThree Colors: White (1994)
“The day I can buy toilet paper in a Polish store, I’ll discuss politics,” Polish director Krzysztof Kieslowski once stated in an interview in 1989, a little more than two months before the fall of the Berlin Wall. Maybe Kieslowski held off on his political thoughts because he became sly when subtly presenting them when shooting his sardonic […]
ContinueThree Colors: Blue (1993)
Film lovers can embrace Blue as simply a stand alone film, or consider it as Three Colors: Blue, which is merely a first part of a monumental trilogy. Krzysztof Kieslowski’s The Three Color trilogy corresponds to the three hues of the French tricolor, and also to the French national principles of liberty, equality, and fraternity. […]
ContinueVanishing, The (1988)
What makes George Sluizer’s The Vanishing absolutely brilliant is the way it builds an unrelenting amount of suspense, and at the same time gives the audience all the information we need to know. The Vanishing opens as a Dutch couple drive down the expressway for a cycling holiday in France. After the vehicle runs out of diesel […]
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