Man Who Came To Dinner, The (DVD)
Famed author Sheridan Whiteside possesses a tongue dipped in venom and a brain that can crack The New York Times crossword in four minutes. On a lecture tour in Ohio, he slips on the ice and is confined to the home of a bourgeois couple. He proceeds to plunge the household into chaos, ruling the place like a czar and meddling in everyone’s love life. Monty Woolley reprises his Broadway triumph as the imperious Whiteside in this delightful, lightning-paced farce. A who’s who of Hollywood talents portray a who’s who of thinly veiled real-life luminaries, ranging from Gertrude Lawrence to Harpo Marx. And Bette Davis shines in an uncharacteristic role as Whiteside’s unflappable secretary. The Man Who Came to Dinner: It’s a feast of wit and sophistication.
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A legendary Broadway tour de force comes to the screen with Monty Woolley's central performance in
The Man Who Came to Dinner. And it's a turn well worth immortalizing. All goatish beard, snapping teeth, and plummy-voiced put-downs, Woolley fully inhabits the role of Sheridan Whiteside, a celebrated author and radio celebrity who gets waylaid by a cracked hip during a visit to small-town Ohio. Bossing the helpless homeowners and bewildered staff from his wheelchair, he quickly fills his hosts' house with his projects (including four penguins) and famous visitors (Ann Sheridan as a self-centered diva, Jimmy Durante as a comedian based on Harpo Marx). Bette Davis goes for a quieter role than usual as Whiteside's assistant; she falls for a local newspaperman, drippily played by Richard Travis. They all revolve around the seated figure of Woolley, his hands drumming on his armrests, his teeth bared as though ready to devour his inferiors. He's delicious. The script is larded with topical references and Broadway-style repartee, not all of which has aged well, and director William Keighley doesn't have a clear grasp of how to shoot jokes. But the basic situation is so durable, and Whiteside's character (based on famed Algonquin Round Table wit Alexander Woollcott) so unusual and nasty, that the movie remains great fun.
--Robert Horton