First came marriage, an arranged union of peasant farmer Wang Lung (Paul Muni) and kitchen slave O-Lan (Luise Rainer). Then, through poverty and wealth, family and betrayal, and war and pestilence, came love. From Pearl S. Buck’s Pulitzer Prize-winning novel, The Good Earth combines Wang and O-Lan’s story with a sweeping saga of China in upheaval. Muni and Rainer had both won 1936 Academy Awards®*, and Rainer repeated here with another Best Actress Oscar®*. The film also won for Best Cinematography – with camerawork most powerfully on display in the astonishing locust-plague sequence. Producer Irving Thalberg, known for combining literary prestige with commercial success, died during the production, and the film is dedicated to him.
]]> Also copping an Oscar was Luise Rainer for best actress--her second consecutive award, after The Great Ziegfeld. Rainer's underplayed portrait of self-effacing stoicism is a contrast to Muni's broader performance, although in some odd way he's exactly right for his role. Caucasian actors play the main characters (Walter Connolly is the family's bothersome, and tiresome, know-it-all uncle), with Asian actors--including Keye Luke--filling out the supporting parts. The blend of sobriety and hokum is vintage Thalberg, and this is the one MGM movie with an onscreen dedication to the young dynamo; he died during production, age 37. --Robert Horton