Eclipse Series 33: Up All Night with Robert Downey Sr. (Babo 73, Chafed Elbows, No More Excuses, Putney Swope, Two Tons of Turquoise to Taos Tonight) (Criterion Collection)

Chafed Elbows This bad-taste riot was a breakthrough for Robert Downey Sr., thanks to rave notices. Visualized largely in still 35 mm photographs, it follows a shiftless downtown Manhattanite having his “annual November breakdown,” wandering from one odd job to the next, and encountering all sorts of sordid types, from desperate low-budget filmmakers to destitute dirty-sock sniffers. And there are incest, murder, and bad pop songs—something to offend everyone.

1966

No More Excuses Robert Downey Sr. takes his camera and microphone onto the streets (and into some bedrooms) for a close look at Manhattan’s swinging singles scene of the late sixties. Of course, that’s not all: No More Excuses cuts between this footage and the fragmented tale of a time-traveling Civil War soldier, a rant from the director of the fictional Society for Indecency to Naked Animals, and other assorted improprieties.

1968

Putney Swope The most popular film by Robert Downey Sr. is this oddball classic about the antics that ensue after Putney Swope (Arnold Johnson, his voice dubbed by a gravelly Downey), the token black man on the board of a Madison Avenue advertising agency, is inadvertently elected chairman. Putney summarily fires all the whiteys, replaces them with Black Power apostles, renames the company Truth and Soul, Inc., and proceeds to wreak politically incorrect havoc.

1969

Two Tons of Turquoise to Taos Tonight “A film without a beginning or an end,” in Robert Downey Sr.’s words, this Dadaist thingamajig—a never-before-seen, newly reedited version of the director’s 1975 release Moment to Moment (also known as Jive)—is a cascade of curious sketches, scenes, and shots that takes on a rhythmic life. It stars Downey’s wife, Elsie, in an endless succession of off-the-wall roles, from dancer to cocaine fiend.

1975