- Alien, Freudian Sexual Repression & Men’s Unconscious Fear of Female Sexuality
- Andre Bazin, the Theory of Equivalence & the Ontology of the Photographic Image
- Baudrillard’s Cinema of Illusion and William’s Gross-out Body Horror
- Black Narcissus, Repressed Female Sexuality & its Brilliant use of Techno-Color
- Boyhood & Birdman UWM Post Movie Reviews
- Chinatown, Postmodernism and the Aesthetics of the Neo-Noir
- Criterionforum.org & its Technological Attributes for Film Buffs
- Cronenberg’s Spider and the Literary Adaptation
- Cyber-Structuralism in Groundhog Day & the Four Life Stages which Embody Spiritual Growth
- Dreams, Reality, Surrealism & the Various Symbolic Intepretations and Metaphors to Bergman’s Persona
- Dudley Andrew’s Borrowing, Intersection and Fidelity
- Fat Girl & the Explicit Sexual Aesthetics of the New French Extremity
- French New Wave filmmaker Agnes Varda Blurred the Lines of Fiction and Reality Creating a New Representation of the New Modern Woman
- German Expressionism and how its Cinematic Aesthetics Prophesized the Gradual Rise of the Nazi Party in the Later Years of Germany
- Ghost World & Adapting text from a Graphic Novel
- Godard’s Alphaville, Science-fiction, Noir Aesthetics & its uses of Textuality
- Historical, Cultural and Sociological themes within the Zombie Film
- Hitchcock’s Psycho, Intertextual Frames & How it Became the very first Cult Film
- How College Influenced my Skills in Academia, Analytical Thinking and Scholarly Writing
- How James Cameron’s Avatar Incorporates both the Cinema and the Videogame
- How Tarantino’s Pulp Fiction Has Altered the Art Film & Changed Pop Culture
- How the French New Wave Movement and directors like Godard and Truffaut influenced the New American Cinema
- How the Vampire film Projects the Repressed Sexual Battles Between Men and Women
- Ingmar Bergman’s the Seventh Seal & Andrew Sarris’s Theory on the Auteur Theory
- Intertextuality in the Matrix, Christ Metaphor’s & Plato’s Analogy of the Cave
- Italian Neorealism & How the Bicycle Thieves Symbolically Represents the Struggling Working Class People in Post World War II Italy
- Jack Kerouac’s On the Road & How that Influenced the Road Movie
- Jane Campion, Feminist Themes & The Piano
- Jean-Luc Godard’s Contempt, Temporal and Spatial Aesthtetics & its uses of Fidelity
- Judith Mayne & the Public and Private Sphere in Cinema
- Jurassic Park & the Beginning of the Digital
- Lack of CGI within today’s Digital Revolution
- Lucrecia Martel La Cienaga & the New Argentinian Cinema
- Lynchian themes Subtly Leaking through the Text of the Straight Story
- Lynn Ramsey, Gender Roles & Morvern Callar
- Man Bites Dog, Exploitation, Kitsch, the Aesthetics of a Mockumentary & what Constitutes a Cult Film
- Metropolis, Science-fiction & the Wonder or the Sublime
- Mise-En Scene & the use of Montage, Space and Time in Rules of the Game
- Mythical Structures and Conventions in the Gangster Film
- Ordet, the Chamber Drama and the Auteur of Carl Theodor Dreyer
- Paracinema, High and Low brow movies & the Cult Film
- Planes, Trains & Automobiles & the Anti-Buddy Road films of the 80’s
- Queen of the Desert, Sexual Identity & Queer Cinema on the Road
- Rififi, the American Soldier and their Aesthetics of the Film-Noir
- Rundolf Arnheim & Film and Reality
- Sex, Drugs, Rock & Roll and the Counter Culture in Easy Rider
- Seymour Chatman, Point of View, Description & Discourse Time
- Soviet Montage & Eisenstein’s Theory of Intellectual Montage
- Spectacle, Gender, Racial Politics & King Kong
- Strong Women Roles & the Various Feminist Themes found in Alien & Aliens
- Taxi Driver, Alienation, Violence & Crises of Masculinity in the Urban City
- Teen Angst & the Strength of Friendship explored in Buffy and Let the Right One In
- Television Interpretation & Batman the Animated Series
- Ten, Documentary Aesthetics & Female Representation In Iranian Society
- The Body Genre and How The Thing was a Metaphor for the Public’s Fears of the Aids Epidemic Throughout the 80’s
- The Ethics and Rules of the Anti-hero who Inhabits the Gangster Picture
- The Evil Dead and the Similarities to Melodrama, Kitsch, Pornography & Exploitative Violence
- The Film Noir, Mise-en scene, Photography & Ideology found in Double Indemnity
- The Film Theories of Munsterberg, Eisenstein & Bazin
- The Godfather, Sociopathic Villains and How Michael Corleone is Definitely a Monster
- The Historical and Cultural Importance of Bonnie and Clyde
- The Journey of Characters within the Genre of the Road Film
- The Otherness & How the Present Zombie Folklore represents the Post 911 era
- The Terminator and the Growing Anxieties about our Cold, Detached, Robotic Nature in an increasingly Technological Environment
- The Use of Diegetic Music, Images and Photography in Alice in the Cities
- Time, Interpretation & Identity in Synecdoche New York
- Trumbull, Spielbergian Effects, Manipulation & Close Encounters of the Third Kind
- Two-Lane Blacktop, Minimalist Restraint & the Alienation of Communication in a Modernist Society
- Voyeurism in Peeping Tom (1901) & Tom Gunning’s the Cinema of Attraction
- Why Alfred Hitchcock could not successfully make the transition from the Golden Age to the New American Cinema
- Woody Allen’s Manhattan & How the City Inhabits Neurotic, Intellectual Snobbiness
